Child Is The Father To The Man (Hybrid Multichannel SACD)

Blood, Sweat & Tears

Sony/Columbia, 2014

REVIEW BY: David Bowling


Where have you been all my life? Blood, Sweat & Tears first album, Child Is The Father To The Man, has just been released as a hybrid multichannel SACD, also known as the super audio CD.

Super audio CDs have been in existence since the late 1990s. The original intent was for the format to replace the standard CD. While that did not happen, the enhanced sound and surround sound capability helped the format to find a niche, particularly among audiophiles. my_heart_sings_the_harmony_web_ad_alt_250

The music of Blood, Sweat & Tears is made for surround sound. The brass, combined with a traditional rock band and remastered into a pristine sound just explodes out of the speakers. Being a hybrid, it is compatible with most CD players.

Blood, Sweat & Tears was formed by keyboardist/vocalist Al Kooper, guitarist Steve Katz, drummer Bobby Columby, and bassist Jim Fielder. Originally intended as a quartet, they added a brass section (Fred Lipsius, Randy Brecker, Jerry Weiss, and Dick Halligan) to create one of the more unique bands of the late 1960s.

I reviewed this album several years ago and my feelings about the music have not changed in the interim. It is a unique album in the Blood, Sweat & Tears catalogue. While their later albums, including their mega-selling self-titled second album, had a big brassy pop sound, Child Is The Father To The Man is a grittier affair as it fused a rock/blues approach with jazz elements. The vocals did not have the smoothness of the David Clayton-Thomas era, which lent an authenticity to the blues-oriented material.

“I Love You More That You’ll Ever Know” and “I Can’t Quit Her” are unique in that they are blues songs, which are taken in different directions by the brass. They may be the peak of Kooper’s long career. While the roots of the traditional Blood, Sweat & Tears sound are present, the approach makes it a stand-alone album as Kooper and most of the brass section would depart after its release.

If you are a fan of the album or have not explored the music of the early Blood, Sweat & Tears, this SACD release is an excellent place to start sound wise; it just does not get any better.

Rating: A-

User Rating: Not Yet Rated



© 2014 David Bowling and The Daily Vault. All rights reserved. Review or any portion may not be reproduced without written permission. Cover art is the intellectual property of Sony/Columbia, and is used for informational purposes only.