REVIEW BY: David Bowling
ORIGINALLY PUBLISHED: 09/24/2010
I think I remember playing this album quite a bit when it was released during 1978, but I can’t remember the last time I listened to it before preparing for this review. This means it’s been years – probably decades – since the last time I gave it a spin.
In 1978, he returned to the studio and issued his sixth solo album in September of that year. It would mark the end of a very prolific period of his career, as it would be six years before he issued another solo release, and four until the next Crosby, Stills, & Nash project.
Thoroughfare Gap is emblematic of many of Stills’ solo albums, containing a few good songs among the chaff. Much of the material would have a somewhat different sound than his previous releases as he veered away from his rock/country roots. It proved to be his least commercially successful solo release to date, peaking at number 83 on the American album charts.
The first sign of trouble here is the number of instruments that he plays on the album, which include guitar, horns, strings, percussion, bass, and synthesizer, among others. He would have been better served to have left more of the instrumental tasks to his huge cast of supporting players.
But there are still a few gems to be found here. The title song is gentle, contemplative, and has a beauty to it. “Woman Lleva” is filled with Latin rhythms and is a direction he should have explored more often. I also still like his version of Buddy Holly’s “Not Fade Away.”
On the other hand, it was the ‘70s and “You Can’t Dance Alone” is a poor attempt at trying to conform to the music of the day. The title “Can’t Get No Booty” just about sums up the closing track and was not a good way to end an album. The rest of the material just disappears into Stills’ vast catalog.
Thoroughfare Gap is a fairly typical album of the ‘70s. As such, it remains a mundane stop in the career of Stephen Stills.