Deadringer
Definitive Jux, 2002
http://rjd2store.myshopify.com
REVIEW BY: Benjamin Ray
ORIGINALLY PUBLISHED: 07/31/2006
Hip hop has a lot more to offer than guns 'n' clubs 'n' hoes. It may be tricky to find them on the radio, but those artists that want to push the boundaries of hip hop, to make a statement while offering more musically than thumping beats, are a treasure. Witness Outkast, the Roots and now Rjd2.
Actually, this one doesn't really have a social conscience...it's more like an ambient techno rap album. Tough to picture, perhaps? That's a good sign, and this is a good album. "The Horror," in particular, has a creepy, warped synthesizer riffing over top of a solid drum/bass combo, with the occasional word about understanding monsters floating in and out of the din; it's the best song here.
“Chicken-Bone Circuit” uses real drumming instead of electronic drums behind a wall of keyboards and conversation snippets, while “2 More Dead” is a laid-back soul jam with a light club beat. And the closer “Work” sounds, of all things, like Ray Charles gone modern R&B.
Sadly, the album's weakness is in the straight-up rap songs, which don't have the memorable hooks needed. "Final Frontier" blends rapping with female vocals, but the single groove gets tedious after a few minutes. “F.H.H.” could have been good but just doesn't work (despite the great line “So what the fuck is your definition of underground? / Depressing beats and bleeped cats who love their sound? / Well I ain't part of that.”)
What Deadringer offers is funk, soul, hip hop and electronica in a way few have attempted (at least few that have released CDs in 2006). With an abundance of creativity and lack of the self-aggrandizing that mars so much modern hip hop, the disc is definitely worth hearing.