Taking aid from more guest instrumentalists and singers than I could keep up with, Jackson brings in notable names such as Iggy Pop, who Jackson takes turns on the mic with on “It Don't Mean A Thing (If It Ain't Got That Swing),” and Sharon Jones, who lends her pipes on the soulful “I Ain't Got Nothin' But The Blues - Do Nothin' Till.” And of course you can't fail to mention Steve Vai, who contributes guitar work on a disc where guitars often take a back seat to percussion and keyboards.
To say that is an eclectic listen would be doing The Duke a disservice. To say that each track sounds like a different period, band or emanating from a different part of the world would be more accurate. Sure, Jackson's inimitable voice keeps a few of tracks resembling one another, but with nearly a third of the album being instrumentals that range from gentle blues guitar work to rapid piano melodies, and the remainder taking stabs at '50s rock'n'roll, R&B balladry, and synth-based funk, it often sounds like a 'Best Of' disc that spans Jackson's career.
One doesn't necessarily need to be an Ellington fan to enjoy this. Hell, if you only know Jackson from his power-pop days that made him a celebrity, you could find intrigue here. While the idea of an Ellington tribute sans horns would be a disaster for most, Jackson's curious and creative interpretations make for a very atypical listen from an iconoclastic songwriter.