I did not realize how much I’d missed Geoff Moore’s voice until the first time his gruff baritone flowed out of my speakers on his newest album, Speak To Me. I first experienced
Sure, I’d heard scattered Geoff Moore and The Distance tracks before then (“Evolution: Redefined,” “A Friend Like You,” “”Life Together”), but with Home Run garnering no fewer than six hit singles, the album was pretty much everywhere that summer – and that was a great thing. Since then, I’ve followed
So when the opportunity to review Speak To Me presented itself, it was a no-brainer. It had been five years since his last, A Beautiful Sound, and I was ready.
Since disbanding The Distance with his self-titled disc in 1999,
That would be a mistake.
Speak To Me opens with the title track written by Jim Cooper and Phillip LaRue, a soft plea for Jesus to restore a fallen believer to full life in Him: "Please restore my faith / To the place when I first met you / A fire bright and clear / Speak to me Lord Jesus / I am listening."
But as the verse gives way to the chorus, the soft entreaty gives way to a bold declaration that Jesus’ words give this broken man “life and their hope keeps me alive.” As the song ends,
Moore has long had a knack for picking great cover songs. Remember The Who song “I’m Free” and the “hidden” cover of Sly and the Family Stone’s “Stand” on the last Distance album (Threads in 1997)?
On Speak To Me,
Moore said the song is a reminder that, while some people can be “too heavenly minded for any earthly good,” in our society today the opposite is too often true and believers are too earthly minded to be any heavenly good. He said, “I believe living in the light of eternity will impact the way we live today. This song reminds me to do that.”
Other highlights: “He Knows My Name” with Kendall Payne, “Your Day” written with Joel Hanson, a cover of Hanson’s solo song, “Captured,” the hymn “This Is My Father’s World,” and album closer, “Erase,” a plea to be more like Jesus.
Moore does have a soft spot for “hidden” tracks. Look for another one, this time a pointless remix of “Every Single One,” a song inspired by