Organic

Joe Cocker

Epic Records, 1996

http://www.cocker.com

REVIEW BY: JB

ORIGINALLY PUBLISHED: 06/17/1997

Here's a particular line in Bebe Moore Campbell's Your Blues Ain't Like Mine which struck my funny bone; "'I don't care what you say,' the light skinned man muttered. 'White people ain't got no blues.'"

If that's true, Joe Cocker puts up an impressively convincing imitation. Son of a coal miner and a Woodstock veteran, this master of remakes is the key figure of "blue-eyed soul" and lately been cast into a lot of soundtracks. I first encountered him on my_heart_sings_the_harmony_web_ad_alt_250 The Bodyguard soundtrack (gimmie a break, I've been listening to music for only four years) in the duet with Sass Jordan "Trust In Me". His voice was more attention-grabbing than Whitney Houston's, who was on the same album.

Organic however, does away with "Trust In Me" and "Up Where We Belong"-esque pop shmaltz and settles for a toned, back-to-roots sound by playing all the instruments by hand and throat. It's definitely this traditional arrangement of orthodox instruments that makes the album organic.

The artists approach the music in such an intimate way, it's not difficult to let the mind wander in jealousy. Billy Preston on the Hammond organ playes the life of some of the tracks like "Into The Mystic" and "Bye Bye Blackbird". Backup divas aren't exactly having church with the microphone but the effect they have on a song whenever the hit a punctual note is simply astonishing. Percussionists Kenny Aronoff and Jim Keltman are highlighted in every track; basically, on the same level as Cocker. Cocker himself lives up to his crew by being everything from, of course, mellow to downright silly (only an American would have the lyric "as happy as a monkey in a monkey tree" in a patriotic song).

Master of Remakes, the Male Celine Dion; not only did he cover songs by Stevie Wonder and most unsurprisingly the Beatles, but this guy is so loco he covered himself; "Delta Lady" and "You Are So Beautiful" among others. Not that it was from insecurity; it simply goes to show the extent of the team's efforts into making a coherent atmosphere. And even though you'll be unconsciously comparing the songs to the originals, I can safely vouch that it can be listened for itself.

The question again: DO white people have any blues? Now I'm all messed up.

Rating: B

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© 1997 JB and The Daily Vault. All rights reserved. Review or any portion may not be reproduced without written permission. Cover art is the intellectual property of Epic Records, and is used for informational purposes only.