The Freewheelin' Bob Dylan

Bob Dylan

Columbia Records, 1963

http://www.bobdylan.com

REVIEW BY: Christopher Thelen

ORIGINALLY PUBLISHED: 10/02/1999

In 1962, Bob Dylan burst forth onto the music scene with an album comprised mostly of covers and two originals. Nowadays, we'd probably expect that his first album was met with commercial acclaim; instead, it sold poorly. It was an excellent effort, but it showed the artist still searching for his own voice.

One album later, on 1963's The Freewheelin' Bob Dylan, that voice was found. With only one song that Dylan didn't at least co-write and a more socially conscious stand to his songs, Dylan finally was being recognized as the next leader of the protest movement. It still isn't perfect - but it's damn near.bim_ad_daily_vault_print_250

The Freewheelin' Bob Dylan is highlighted by two firsts for Dylan in his young career. From what I could hear, this is the first time that he chose to use 12-string guitar on some songs, such as "Blowin' In The Wind". It also is the first time that Dylan uses more accompaniment than just his guitar and harmonica. But make no mistake, Dylan is still the star of the show - and rightfully so.

Looking at some of these songs in 1999, tracks like "A Hard Rain's A-Gonna Fall" and "Blowin' In The Wind" don't sound like angry statements about society in 1963. Then again, I never saw the anger in "This Land Is Your Land," so maybe I'm not the best judge of the protest movement.

It took me a long time to get used to the original version of "Blowin' In The Wind," having grown up with the Peter, Paul & Mary version. But the effort proves to be worth it, as Dylan's first take has a certain magic about it, even if the time signature isn't always followed to the letter of the law. (Maybe this was the big difficulty I first had with this album; getting through Bob Dylan actually helped me see this album in a better light.)

What is evident on The Freewheelin' Bob Dylan is that Dylan is more comfortable with his role as a folk singer and as a songwriter; tracks like "Girl From The North Country," "Don't Think Twice, It's All Right" and "I Shall Be Free" all show images of an artist who has grown in such a short time. If you need further proof, listen to the scathing commentaries on tracks like "Masters Of War" and "Talking World War III Blues", the latter being one of my favorites off this album.

If you're not familiar with Dylan's style, The Freewheelin' Bob Dylan is occasionally a difficult listen. But if you take the time to get to know both the songwriter and his own unique musical style, the end result will be quite pleasant. There's a reason why many people consider this album to be a high-water mark of Dylan's early career; listen to it again, and discover why.

Rating: A-

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© 1999 Christopher Thelen and The Daily Vault. All rights reserved. Review or any portion may not be reproduced without written permission. Cover art is the intellectual property of Columbia Records, and is used for informational purposes only.