The Best Of The Hot Five And Hot Seven Recordings

Louis Armstrong

Columbia Records, 2002

http://en.wikipedia.org/wiki/Louis_Armstrong

REVIEW BY: George Agnos

ORIGINALLY PUBLISHED: 10/08/2002

Louis Armstrong did not invent jazz, but by popularizing both the jazz solo and scat singing, he was essential in shaping it. The Best Of The Hot Five And Hot Seven Recordings is an 18 track CD of highlights taken from Columbia's four-CD box set The Complete Hot Five And Hot Seven Recordings, and is an excellent overview for those interested in sampling the music where he developed his innovative style.

The songs here were recorded between the years of 1926 and 1928. Despite their age, the sound quality is exceptional. Of course, they don't sound like they were recorded today, but the surface noise is minimal, and the recordings are surprising clear and sharp. Obviously, a great deal of care was made to preserve these recordings and make them sound as vibrant as possible.bim_ad_daily_vault_print_250

Now to the songs themselves: it should be noted that Armstrong does not sing very often on this collection. He vocalizes on only a third of this collection, and even among them, only three songs have actual lyrics sung. Armstrong, at this point of his career, was purely a jazz musician and provides us with some sweet solos. If you are looking for the more pop oriented Armstrong, then you are better off looking elsewhere.

The development of the band can be broken down in three phases, the earliest recordings here show the Hot Five band as just a typical dixieland band with an above average trumpet player. Of special note from this period is "King Of The Zulus", a curious selection for a highlight as it has a not so PC parody on Jamaicans. Still, the piece has a slow, eerie feel that does set it apart.

Since the track listing is in chronological order, we eventually hear the band develop into a well-oiled machine. Tracks such as "Potato Head Blues" and "Struttin' With Some Barbecue" really kick. At this point, the band was tight whether it had five or seven members. Armstrong's playing continues to develop, finding a greater melodicism in his solos whether the tempos are slow or at breakneck speed.

The final phase shows the band trying different things. Of course, this is probably because the personnel totally changed (with the exception of Armstrong) starting with "West End Blues". The addition of pianist Earl Hines was probably the biggest shot in the arm for this band as he brings a very sophisticated touch to these numbers.

The arrangement for "West End Blues" must have been daring for its time. Armstrong starts with a thunderous solo, then along comes the melancholy melody line, the clippity clop percussion, and Armstrong's wordless but passionate singing. In short, this is truly a standout.

The Best Of The Hot Five And Hot Seven Recordings is not for everyone, but it is definitely worth a listen for all jazz fans. The great playing of Armstrong and company transcend what you may think of dixieland. Inevitably, there are some great Hot Five and Seven songs missing from this collection as a single CD can only hold so many songs. For the complete picture, there is the box set. However, this all killer/no filler collection may be all you need.

Rating: A

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© 2002 George Agnos and The Daily Vault. All rights reserved. Review or any portion may not be reproduced without written permission. Cover art is the intellectual property of Columbia Records, and is used for informational purposes only.